About Art
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Roman Jakobson – Lingüística. Poética. Cinema.
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Hal Foster – Design e crime (e outras diatribes)
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Salomé Lamas – Parafiction. Selected works.
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Vasarely – Notes brutes
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Thierry de Duve – Nominalisme pictural. Marcel Duchamp, la peinture et la modernité.
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Octopus Notes #8
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Octopus Notes #9
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Post-nostalgical knowings
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Delfim Sardo – O Exercício Experimental da Liberdade
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John Berger – A Aparência das Coisas
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Nuno da Luz – Environments
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Manuel Cargaleiro – Uma Vida Desenhada
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Gonçalo Pena – Barber Shop
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Nikias Skapinakis – paisagens [landscapes]
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Jorge Martins – A Substância do Tempo [The Substance of Time]
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Hugo de Almeida Pinho – Paradox of Plenty
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Maria Filomena Molder – O Absoluto que pertence à Terra
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FUSCO Maria – With A Bao A Qu Reading When Attitudes Become Form
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Ana Pais – Ritmos Afectivos nas Artes Performativas
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António Sena – Litania
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Eduardo Prado Coelho – Vinte anos de cinema português (1962-1982)
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Erwin Panofsky – A perspectiva como forma simbólica
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Marie-France Rafael – Brice Dellsperger – On Gender Performance
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Emanuele Coccia – O Bem nas Coisas: a publicidade como discurso moral
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Daniel Arasse – Não se vê nada
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Velvetnirvana
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João Maria Gusmão + Pedro Paiva – Terçolho
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MUSONAUTAS, VISÕES & AVARIAS 1960-2010 (2ª ED.)
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A ESCOLA INFINITA – Eva Gonçalves
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OCTOPUS NOTES 11
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LENDA, MITO E MAGIA NA IMAGEM DO ARTISTA
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ATELIER LOCAL: AFTER FIVE YEARS OF LIVING — João Paupério / Maria Rebelo
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DESENHO TÉCNICO — Luis Veiga da Cunha
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A HISTORY OF ENGRAVING & ETCHING FROM THE 15TH CENTURY TO THE YEAR 1914 — Arthur M. Hind
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EL SURREALISMO — A. Cirici-Pellicer
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O URBANISMO PORTUGUÊS: SÉCULOS XIII-XVIII PORTUGAL-BRASIL — Manuel C. Teixeira & Margarida Valla
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FRANCIS FORD COPPOLA — M. S. FONSECA (ORG.)
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CALDAS 77
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PERFORMING MATTERS, FLESH HUES, SKELETAL FORMS — VERA MOTA
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